Tag Archive for Katherine In-Young Lee

More award-winning music titles from Wesleyan!

We are pleased to announce that Dynamic Korea and Rhythmic Form, by Katherine In-Young Lee, is the recipient of The Béla Bartók Award for Outstanding Ethnomusicology from ASCAP.

From the judging committee citation:

Dynamic Korea and Rhythmic Form by Katherine In-Young Lee, published by Wesleyan University Press, received The Béla Bartók Award for Outstanding Ethnomusicology. The book explores how a percussion genre from South Korea (samul nori) became a global music genre. In it, Lee contends that rhythm-based forms serve as a critical site for cross-cultural musical encounters.”

About the book:

The South Korean percussion genre, samul nori, is a world phenomenon whose powerful rhythmic form is its key to its international popularity and mobility. Similar to other music genres that have become truly global—hip-hop, Indonesian gamelan, Japanese taiko—samul nori’s rhythmic forms are experienced on a somatic level, making the movement between cultures easier. Based on both ethnographic research and close formal analysis, author Katherine In-Young Lee focuses on the kinetic experience of samul nori, drawing on the concept of dynamism to explain how qualities of movement and energy shifts in its rhythmic form appeals to audiences and practitioners worldwide. Lee explores the historical, philosophical, and pedagogical dimensions of the percussive form while breaking with traditional approaches to the study of world music that privilege political, economic, institutional, or ideological analytical frameworks. Lee argues that because samul nori is experienced on a somatic level, the form easily moves beyond national boundaries and provides sites for cross-cultural interaction. Her work provides a study of how a national cultural form goes transnational, based on ethnographic interviews with samul nori ensembles in South Korea, the United States, Switzerland, Mexico, and Japan

Katherine In-Young Lee is assistant professor of ethnomusicology at UCLA and her work has appeared in Journal of Korean Studies, Ethnomusicology, and Journal of Korean Traditional Performing Arts.

Also of interest:

Citizen Azmari: Making Ethiopian Music in Tel Aviv, by Ilana Webster-Kogen, published by the Wesleyan University Press, received the Society for Ethnomusicology’s 2019 Publication Prize given by the Special Interest Group of Jewish Music. The books sheds light on Ethiopian-Israeli music, and in it, Webster-Kogen challenges notions of Jewishness, of Israeli-ness, and of global blackness, showing how Ethiopian-Israelis move within all of these groups and create complex webs of belonging through musical performance.

Award-winning music titles from Wesleyan!

We are pleased to announce that Citizen Azmari: Making Ethiopian Music in Tel Aviv, by Ilana Webster-Kogen is the recipient of Society for Ethnomusicology’s 2019 Publication Prize given by the Special Interest Group of Jewish Music.

From the judging committee citation:
Citizen Azmari shines new light on a Jewish people who exist at many margins: the margins of Israeli society, the margins of Ethiopian society, and, frankly, the margins of many people’s awareness of the Jewish world. Webster-Kogen challenges notions of Jewishness, of Israeli-ness, and of global blackness, showing how Ethiopian-Israelis move within all of these groups and create complex webs of belonging through musical performance.  In addition to its contents, the committee also appreciated the writing. Simply put, we all found it highly readable, and in fact enjoyable to read.”

About the book:
In the thirty years since their immigration from Ethiopia to the State of Israel, Ethiopian-Israelis have put music at the center of communal and public life, using it alternatingly as a mechanism of protest and as appeal for integration. Ethiopian music develops in quiet corners of urban Israel as the most prominent advocate for equality, and the Israeli-born generation is creating new musical styles that negotiate the terms of blackness outside of Africa. For the first time, this book examines in detail those new genres of Ethiopian-Israeli music, including Ethiopian-Israeli hip-hop, Ethio-soul performed across Europe, and eskesta dance projects at the center of national festivals. This book argues that in a climate where Ethiopian-Israelis fight for recognition of their contribution to society, musical style often takes the place of political speech, and musicians take on outsize roles as cultural critics. From their perch in Tel Aviv, Ethiopian-Israeli musicians use musical style to critique a social hierarchy that affects life for everyone in Israel/Palestine.

Ilana Webster-Kogen is the Joe Loss Lecturer (assistant professor) in the department of music at SOAS, University of London. She received her PhD in ethnomusicology there in 2011. Her work has appeared in African and Black Diaspora, Ethnomusicology Forum, and the Journal of African Cultural Studies.

Also of interest:

Dynamic Korea and Rhythmic Form by Katherine In-Young Lee, published by Wesleyan University Press, received The Béla Bartók Award for Outstanding Ethnomusicology from ASCAP. The book explores how a percussion genre from South Korea (samul nori) became a global music genre. In it, Lee contends that rhythm-based forms serve as a critical site for cross-cultural musical encounters.

Announcing “Dynamic Korea and Rhythmic Form” by Katherine In-Young Lee

South Korean percussion genre samul nori goes global

“This book is a timely and sorely needed contribution to ongoing intellectual debates within ethnomusicology and world music studies. Lee’s investment in musical form as both a physical force and explanatory object reveals processes and motivations not solely accessible by so-called “cultural” or “extra”-musical explanations.”— Nathan Hesselink, professor of Ethnomusicology, University of British Columbia

The South Korean percussion genre, samul nori, is a world phenomenon whose rhythmic form is the key to its popularity and mobility. Based on both ethnographic research and close formal analysis, author Katherine In-Young Lee focuses on the kinetic experience of samul nori in Dynamic Korea and Rhythmic Form, drawing out the concept of dynamism to show its historical, philosophical, and pedagogical dimensions. Breaking with traditional approaches to the study of world music that privilege political, economic, institutional, or ideological analytical frameworks, Lee argues that because rhythmic forms are experienced on a somatic level, they swiftly move beyond national boundaries and provide sites for cross-cultural interaction.

Katherine In-Young Lee is assistant professor of ethnomusicology at University of California, Los Angeles. She received her PhD from Harvard in 2012. Her work has appeared in Journal of Korean Studies, Ethnomusicology, and Journal of Korean Traditional Performing Arts.

200 pp., 31 illus., 6 x 9”
Paper, $24.95
978-0-8195-7706-1
Unjacketed Hardcover, $80.00
978-0-8195-7705-4
Ebook, $19.99
978-0-8195-7707-8