South Korean percussion genre samul nori goes global
“This book is a timely and sorely needed contribution to ongoing intellectual debates within ethnomusicology and world music studies. Lee’s investment in musical form as both a physical force and explanatory object reveals processes and motivations not solely accessible by so-called “cultural” or “extra”-musical explanations.”— Nathan Hesselink, professor of Ethnomusicology, University of British Columbia
The South Korean percussion genre, samul nori, is a world phenomenon whose rhythmic form is the key to its popularity and mobility. Based on both ethnographic research and close formal analysis, author Katherine In-Young Lee focuses on the kinetic experience of samul nori in Dynamic Korea and Rhythmic Form, drawing out the concept of dynamism to show its historical, philosophical, and pedagogical dimensions. Breaking with traditional approaches to the study of world music that privilege political, economic, institutional, or ideological analytical frameworks, Lee argues that because rhythmic forms are experienced on a somatic level, they swiftly move beyond national boundaries and provide sites for cross-cultural interaction.
Katherine In-Young Lee is assistant professor of ethnomusicology at University of California, Los Angeles. She received her PhD from Harvard in 2012. Her work has appeared in Journal of Korean Studies, Ethnomusicology, and Journal of Korean Traditional Performing Arts.
200 pp., 31 illus., 6 x 9”
Unjacketed Hardcover, $80.00