Wesleyan Music Titles
| Allan Marett | Songs, Dreamings, and Ghosts |
| Alvin Lucier | Music 109 |
| Alvin Lucier and Douglas Simon | Chambers |
| Andre Millard | Magic City Nights |
| Anne Danielsen | Presence and Pleasure |
| Barry Shank | Dissonant Identities |
| Benjamin J. Harbert | American Music Documentary |
| Charles Keil | Bright Balkan Morning |
| Christopher Small | Musicking |
| Christopher Small | Music, Society, Education |
| Christopher Small | Music of the Common Tongue |
| Christopher Small and Robert Walser | The Christopher Small Reader |
| Colin Symes | Setting the Record Straight |
| Corinna Campbell | The Cultural Work |
| Daniel B. Sharp | Between Nostalgia and Apocalypse |
| Daniel Cavicchi | Listening and Longing |
| David P. Nelson | Solkattu Manual |
| David P. Nelson | Konnakkol Manual |
| Deborah Kapchan | Traveling Spirit Masters |
| Deborah Kapchan | Theorizing Sound Writing |
| Demaris Hansen | One Hundred Years of Hartt |
| Dennis G. Waring | Manufacturing the Muse |
| edited by Alvin Lucier | Eight Lectures on Experimental Music |
| edited by Andrea Miller-Keller | Alvin Lucier |
| edited by Christina Baade and Kristin A. McGee | Beyonce in the World |
| edited by Christopher Moore and Philip Purvis | Music & Camp |
| edited by Daniel Fischlin and Ajay Heble | The Other Side of Nowhere |
| edited by David Rothenberg and Marta Ulvaeus | The Book of Music and Nature |
| edited by James Buhler, Caryl Flinn, and David Neumeyer | Music and Cinema |
| edited by Mark Slobin | Global Soundtracks |
| edited by Paul D. Greene and Thomas Porcello | Wired for Sound |
| edited by René T. A. Lysloff and Leslie C. Gay | Music and Technoculture |
| edited by Robert Santelli and Emily Davidson | Hard Travelin’ |
| edited by Susan Boynton and Roe-Min Kok | Musical Childhoods and the Cultures of Youth |
| edited by Susan Fast and Kip Pegley | Music, Politics, and Violence |
| edited by Thomas Burkhalter, Kay Dickinson, and Benjamin J. Harbert | The Arab Avant-Garde |
| edited by Tony Mitchell | Global Noise |
| edited by Victoria Lindsay Levine and Dylan Robinson | Music and Modernity among First Peoples of North America |
| edited by Yayoi Uno Everett and Frederick Lau | Locating East Asia in Western Art Music |
| Edward Herbst | Voices in Bali |
| Emma Baulch | Genre Publics |
| Eric Charry | A New and Concise History of Rock and R&B through the Early 1990s |
| Frances R. Aparicio | Listening to Salsa |
| Franya J. Berkman | Monument Eternal |
| Harriet Hyman Alonso | Yip Harburg |
| Harris M. Berger | Metal, Rock, and Jazz |
| Harris M. Berger | Stance |
| Harris M. Berger and Giovanna P. Del Negro | Identity and Everyday Life |
| Heidi Feldman | Black Rhythms of Peru |
| Helena Simonett | Banda |
| Herbert Brün and Chandra Arun | When Music Resists Meaning |
| Ian MacMillen | Playing It Dangerously |
| Ian Maxwell | Phat Beats, Dope Rhymes |
| Ilana Webster-Kogen | Citizen Azmari |
| James Clark | Connecticut’s Fife and Drum Tradition |
| Jason Weiss | Always in Trouble |
| Jim Cullen | Born in the U.S.A. |
| John Cage | Empty Words |
| John Cage | A Year from Monday |
| John Cage | M |
| John Cage | X |
| John Cage | I–VI |
| John Cage | Anarchy |
| John Cage | Silence |
| John Cage and Joan Retallack | MUSICAGE |
| John Cage and Laura Kuhn | The Selected Letters of John Cage |
| John Collins | Fela |
| John Luther Adams | Winter Music |
| John Luther Adams | The Place Where You Go to Listen |
| John Richardson | Singing Archaeology |
| Johnny Otis | Upside Your Head! |
| Jonathan Holt Shannon | Among the Jasmine Trees |
| Jonathan Pieslak | Radicalism and Music |
| Joseph G. Schloss | Making Beats |
| Julia Byl | Antiphonal Histories |
| Kai Fikentscher | “You Better Work!” |
| Katherine In-Young Lee | Dynamic Korea and Rhythmic Form |
| Keith Negus | Popular Music in Theory |
| Kenneth Bilby | Words of Our Mouth, Meditations of Our Heart |
| Kip Pegley | Coming to You Wherever You Are |
| Kristin A. McGee | Some Liked It Hot |
| Laura Lohman | Umm Kulthum |
| Lise A. Waxer | The City of Musical Memory |
| Lorraine Plourde | Tokyo Listening |
| Marie Abe | Resonances of Chindon-ya |
| Maria Sonevytsky | Wild Music |
| Mark Slobin | Subcultural Sounds |
| Mark Slobin | Music at Wesleyan |
| Marta Elena Savigliano | Angora Matta |
| Matthew Rahaim | Musicking Bodies |
| Max Katz | Lineage of Loss |
| Michael Veal | Dub |
| Mickey Katz | Papa, Play for Me |
| Mina Yang | Planet Beethoven |
| Murray Forman | The ‘Hood Comes First |
| Patrick Burkart | Music and Cyberliberties |
| Paul Austerlitz | Jazz Consciousness |
| Paul Horgan | Encounters with Stravinsky |
| Paul Theberge | Any Sound You Can Imagine |
| Peter Doyle | Echo and Reverb |
| Peter Fryer | Rhythms of Resistance |
| Philip H. Ennis | The Seventh Stream |
| Preston Love | A Thousand Honey Creeks Later |
| Rachel Mundy | Animal Musicalities |
| Raymond Knapp | Symphonic Metamorphoses |
| Rebecca S. Miller | Carriacou String Band Serenade |
| Regina M. Sweeney | Singing Our Way to Victory |
| Robert Walser | Running with the Devil |
| Ron Emoff | Recollecting from the Past |
| Ruth Finnegan | The Hidden Musicians |
| Sarah Thornton | Club Cultures |
| Stephen Farina | Reel History |
| Steven Taylor | False Prophet |
| Susan D. Crafts, Daniel Cavicchi, and Charles Keil | My Music |
| Susana Salgado | The Teatro Solís |
| Tes Slominski | Trad Nation |
| Tomie Hahn | Sensational Knowledge |
| Tricia Rose | Black Noise |
| Wendy Fonarow | Empire of Dirt |
