Events

Haiti, 5 Years Later: “Tout moun se moun, men tout moun pa menm.”

January 12, 2015, marks the fifth anniversary of the catastrophic magnitude 7.0 earthquake that struck Haiti. The epicenter was near Léogane, approximately 16 miles west of the capital city, Port-au-Prince. By the January 24, 2010, at least 52 aftershocks measuring 4.5 or greater had been recorded. The death toll has been estimated at between 200,000 and 300,000 individuals lost. Hundreds of thousands of homes and commercial buildings were destroyed. In short, Haiti was devastated. Haiti—a country already in a precarious position given its centuries-long history of national debt, unfair trade policies imposed by outside nations, and the other, often unhelpful, foreign interventions.

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READ AN EXCERPT HERE.

Wesleyan University Press will release Why Haiti Needs New Narratives: A Post-Quake Chronicle in May of this year. The author, Haitian-American anthropologist Gina Athena Ulysse, makes sense of the discussions surrounding her homeland in the wake of the tragedy of the earthquake and its aftermath, including the battle against cholera, the mistreatment of Haitian women and children, and the nation’s ongoing political turmoil. As Robin D.G. Kelley points out in his foreword to the book, “Ulysse wants to know how we arrived at this point, when Haiti is treated much like the random bodies of homeless people, whose deaths we’ve come to expect but not mourn?” You can read an excerpt from Ulysse’s work here, a piece titled “Haiti’s Future: A Requiem for the Dying,” dated February 4, 2010.

As Ulysse makes clear, in order to have a meaningful discussion on the state of Haiti today, one must look to the past. On January 1, 1804, Jean-Jacques Dessalines declared Haitian independence—the outcome of a successful slave revolt. Although Haiti would now be free, France and other European powers forced the island nation to pay 150 million francs in reparations for the loss of “property” in slaves and land. Western powers refused to trade with Haiti, hoping to choke the life out of a black free state. Today, unfair trade practices continue to plague Haiti and its workforce—not to mention the long history of oppressive and genocidal acts committed against Haitians by the government of its neighbor, The Dominican Republic.

Ulysse also looks at the treatment of Haiti in both the press and popular media. Haiti is often, mistakenly, seen as a dark “other.” Voudou, the prominent earth-based religion of Haiti, is often mis-interpreted, mis-appropriated, and maligned as “Voodoo,” seen by European-Americans as a dark and dangerous power. While Haiti remains the poorest nation in the Western Hemisphere, to restrict the nation to dystopian narratives of desperation obscures the complexity of the republic and comes dangerously close to dehumanizing Haitians.

Why Haiti Needs New Narratives is largely a reaction to mainstream news coverage of the catastrophic quake of 2010. Ulysse observed that much coverage reproduced longstanding narratives of Haiti and stereotypes of Haitians. In response, she embarked on a writing spree that lasted over two years, and a resulted in a large body of dispatches, op-eds and articles on post-quake Haiti. As an ethnographer and a member of the diaspora, Ulysse delivered critical cultural analysis of geopolitics and daily life in Haiti, with the aim of making sense of how the nation and its subjects continue to negotiate sovereignty in a world where, according to a Haitian saying, tout moun se moun, men tout moun pa menm (All people are human, but all humans are not the same). Why Haiti Needs New Narratives contains thirty pieces, most of which were previously published in and on Haitian TimesHuffington PostMs MagazineMs BlogNACLA, and other print and online venues. The book is trilingual (English, Kreyòl, and French) and includes a foreword by award-winning author and historian Robin D.G. Kelley. It will be published on May 25, 2015.

Today, Haiti continues to be rocked by political turmoil in the form of protests over the delay of elections. Read more about the protests, calling for the resignation of President Michel Martelly, here. The need for better infrastructure and health care continues. You can view recent photographs from Haiti, here, provided by Susan Schulman for The Guardian newspaper.

#tbt: “A Northern Christmas”, Seward, Alaska, 1918

This week’s Throwback Thursday post revisits the work of Rockwell Kent (1882–1971). Kent was one of America’s most celebrated graphic artists. Although he is best known for his illustrations to accompany The Complete Works of William Shakespeare and Moby Dick, his artwork also appeared widely in popular media. Kent was also a travel writer. His illustrated books of adventure include N by E, Wilderness, Salamina and Voyaging, all reissued by Wesleyan University Press, a tribute to their perennial appeal. During his Christmas spent in Seward, Alaska, in 1918, Kent produced an adorable keepsake volume, A Northern Christmas, with a dedication that reads: “To EVERYBODY. A Merry Christmas and a Happy New Year.” In the format of a journal, A Northern Christmas recounts the scenery and company enjoyed during the days leading up to Christmas.

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During that December, Kent and his son, Rockwell Jr., spent their days

…in a forest on a low-lying level fill between two mountain peaks…our house a one room cabin crudely built of logs and caulked with moss; our dooryard—toward the view—the space we cleared by felling trees for fuel; our view a crescent cove, the bay, the mountains of the distant shore, the sky, the moon and stars at night. And, for companionship, ourselves, each other, and a genial, wise and kind old man, old Sourdough of early gold rush days, old trapper, lifelong pioneer, a Swede named Olson: we three, a pair of foxes shut in a corral, a milk goat (cherished Nanny), an obstreperous Angora goat (one Billy) and some foolishly adoring women of his kind, otters that now and then sat basking on the rocks, blue jays and gulls, and porcupines. It was enough. Of the fullness of the days—fullness of work and thought, of play, of little happenings, of uneventful peace—we kept record.

Kent describes a walk with his eight-year-old son:

This day is never to be forgotten, so beautiful, so calm, so still with the earth and every branch and tree muffled in deep, feathery, new-fallen snow. And all day the softest clouds have drifted lazily over the heaven, shrouding the land here and there in veils of falling snow, while elsewhere or through the snow itself the sun shone. Golden shadows, dazzling peaks, fairy tracery of the branches against the blue summer sea! It was a day to Live,—and work could be forgotten. So Rockwell and I explored the woods, at first reverently treading one path, so that the snow about us might still lie undisturbed. But soon the cub in the boy broke out and he rolled in the deepest thickets, shook the trees down upon himself, lay still in the snow for me to cover him completely, washed his face till it was crimson, and wound up with a naked snow-bath. I photographed him standing thus in the deep snow at the water’s edge with the mountains far off behind him. Then he dried himself at the roaring fire we’d made ready and felt like a new boy—if that can be imagined. Meanwhile I searched in the woods for a Christmas tree and cut a fair-sized one at last for its top. Christmas is right upon us now. To-night the cranberries stew on the stove.

The memory of Rockwell Kent’s visit persists in Seward, where the holiday season comes to life every year through events like the annual Arts and Crafts Fair. This year the Seward Journal and Cover to Cover Bookstore adopted a literary holiday theme, drawing form Rockwell Kent’s Wilderness and A Northern Christmas. 

Using the expertise of Seward’s local historian, Doug Capra, who has written extensively on Kent and who wrote the introductions to Wesleyan’s editions of Wilderness and A Northern Christmas, the newspaper and bookstore adopted “A Northern Christmas” theme. Gene’s Place, the restaurant located in the Hotel Seward , will offer Kent’s “Christmas Menu,” from Wilderness, reproducing his recipe for Fox Island Corn Soufflé.

“As Christmas approaches on Fox Island, Kent choreographs his own dance, teaches steps to his son and Olson, and even provides the music with his flute,” wrote Capra in the forward of A Northern Christmas. “The artist, his son and the old man brighten the winter darkness with a candle lit tree, hang spruce and hemlock boughs for decoration, make do with homemade gifts, and cook up a Christmas feast announced with hand-printed menus. He has again fulfilled a life-long goal by creating his culture rather than being created by it.”

Not only has Capra written extensively on Rockwell Kent; he also authored his own book on Alaska’s history called The Spaces Between: Stories From the Kenai Mountains To the Kenai Fjords.

 

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Capra draws on extensive original research, including interviews with elders. He lends attention to the women of Seward, who have received scant recognition for their strength and contributions to the community. In a colorful collection of articles and stories about the European pioneers who settled on the eastern Kenai Peninsula, The Spaces Between is both an educational and entertaining book.

Gerald Vizenor visits Minneapolis and the White Earth Nation

Gerald Vizenor read at the Bockley Gallery, in Minneapolis, on November 14th, where Louise Erdrich introduced him.

Vizenor then headed northwest, approximately 225 miles, to visit the White Earth Nation. On November 19th, he was a co-signer of the Constitution of the White Earth Nation. At this time, Dr. Vizenor was honored with a golden eagle feather for his service as a delegate and principal writer of the Constitution.

His latest literary works are Blue Ravens and Favor of Crows: New and Collected Haiku. Attendees of AWP 2015, in Minneapolis, can enjoy a Wesleyan sponsored panel (event F214), a “Tribute to Gerald Vizenor.” Panelists, including Heid Erdrich, Gerald Vizenor, Kimberly Blaeser, Gordon Henry, and Margaret Noodin, will discuss Dr. Vizenor’s vast body of work and reflect on how this elder statesman of Anishinaabe literature influenced and supported their own work. Vizenor’s political writing, nationalist poetry, and history-steeped novels will be represented in this tribute, fittingly held in his homeland of Minnesota. Panelists will reflect on Vizenor’s role as a mentor and teacher who enabled generations of Native writers to find their voice. The panel is on Friday, April 10th, 1:30pm – 2:45pm. Attendees can meet with Gerald at Wesleyan booth #907, after the panel, where he will sign copies of his books until 4:30pm. Favor of Crows: New and Collected Haiku will be available in paperback for the first time.

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Erma Vizenor, Chief of the White Earth Nation, honors Gerald Vizenor with a golden eagle feather for service as a delegate and principal writer of the Constitution of the White Earth Nation.

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Gerald Vizenor signing the official documents as a delegate and principal writer of the Constitution of the White Earth Nation. The Constitution Signing was held at the White Earth Nation on November 19, 2014.

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Louise Erdrich introduces Gerald Vizenor at a reading of Blue Ravens at the Bockley Gallery in Minneapolis, November 14, 2014. This event was co-sponsored by Birchbark Books, a store operated by a spirited collection of people who believe in the power of good writing, the beauty of handmade art, the strength of Native culture, and the importance of small and intimate bookstores. Photograph, copyright John Ratzloff, 2014.

 

#tbt: Mel Brooks’ dancing alien, from “Spaceballs”

This week’s throwback Thursday post is dedicated to director Mel Brooks! He is one of many directors interviewed in The Director Within: Storytellers of Stage and Screen by Rose Eichenbaum. The photograph of Brooks, below, is one of many images from the book.

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To honor Brooks and his ongoing ability to make us laugh long and hard, we picked a clip from his movie Spaceballs (1987).

Mel Brooks is a master of comedy. From film to theatrical productions, his work has earned him the highest honors bestowed on an entertainer: an Emmy, a Grammy, an Oscar, and a Tony Award—to name a few. As Brooks fans know, the filmmaker loves to spoof historic events, popular culture, books, and other films. Such parodies include Young Frankenstein, Dracula: Dead and Loving It, High Anxiety, and Spaceballs. 

When asked why he’s chosen to create so many parodies, Brooks responded:

“All I’m doing is reliving the movies I loved as a little boy. With Young Frankenstein I was reviving the gorgeous films by James Whale, Frankenstein (1931) and The Bride of Frankenstein (1935). High Anxiety is a tribute to Hitchcock. Spaceballs I made for my son, Max Brooks, who loved Star Trek and Star Wars. I dolled them up, of course, with a lot of different themes and feelings.”

Directors featured in the book The Director Within include:

• Michael Apted
• Robert Benton
• Peter Bogdanovich
• James L. Brooks
• Mel Brooks
• James Burrows
• John Carpenter
• Joseph Cedar
• Richard Donner
• Jonathan Frakes
• Lesli Linka Glatter
• Taylor Hackford
• Walter Hill
• Arthur Hiller
• Reginald Hudlin
• Doug Hughes
• Lawrence Kasdan
• John Landis
• Barry Levinson
• Rod Lurie
• Emily Mann
• Kathleen Marshall
• Rob Marshall
• Michael Mayer
• Paul Mazursky
• Mira Nair
• Hal Prince
• Brett Ratner
• Gary Ross
• Mark Rydell
• Jay Sandrich
• Susan Stroman
• Julie Taymor
• Robert Towne
• Tim Van Patten

Rose Eichenbaum will be signing copies of her books, The Director Within and The Dancer Within at Chavelier’s Books in Los Angeles this Saturday. She will be joined by performer-authors Zippora Karz and Victoria Tennant. Read more about the event and participants here.

“Director Within” launch tonight, 7PM, in Burbank, CA!

Don’t miss the book launch celebration for Rose Eichenbaum’s the The Director Within! Rose will be sharing photos, stories, and words of wisdom concerning her latest book. A discussion will follow. The event will take place on November 13th, in the Entertainment Media Building Room E100 at Woodbury University from 7-9pm.

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“What a treat to read these interviews with so many directors I have known and to learn more about them, their courage, individuality, compassion, vision, insight, and wisdom, and to hear the shared theme of love for the media and love as a theme in their lives and their work.”  —Jeremy Kagan, film and television director

Award-winning photojournalist, Rose Eichenbaum is dedicated to the investigation and documentation of art making and human expression through performance. Her stunning books The Dancer Within and The Actor Within paired photographic portraits with thoughtful conversations that look at the creative process, and how this process is different for each individual.

For her new book, The Director Within, Rose Eichenbaum sat down with thirty-five modern day storytellers—directors of theater, film, and television. Eichenbaum’s subjects speak with revealing clarity about the challenges and rewards of their work, the role and life of the director, and the ways theatrical and cinematic storytelling impact our culture and our lives. These conversational interviews with some of the biggest names in entertainment are accompanied by lively photographic portraits that convey the character and personalities of her subjects.

This beautiful, informative, and entertaining book is an essential resource for film and theatre buffs, would-be-directors, and anyone who wants to learn more about the creative minds behind our most-beloved movies and shows.

Rose Eichenbaum’s work has appeared in national magazines and has been the subject of numerous exhibitions, including a national tour hosted by the Smithsonian Institution. A respected educator, Eichenbaum is a professor at Woodbury University in the School of Media, Culture and Design and directs the dance photography workshop at the Jacob’s Pillow Dance Festival. She also teaches at the Los Angeles Center of Photography.

 

For more information about the book please visit the bookpage.

 

 

#tbt: An Alice Notley poem

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In honor of #UPWeek, AAUP’s Blog Tour continues, with the theme of Throwback Thursday. Other participating presses are Harvard University Press, MIT PressTemple University PressUniversity of Toronto Press, and University of Washington Press.

Today’s Throwback Thursday selection is “Flowers of the Foothills & Mountain Valleys” from Alice Notley’s 2006 collection Grave of Light: New and Selected Poems, 1970-2005. She was recently the focus of a three-day symposium, ALETTE IN OAKLAND, hosted by the Bay Area Public School. The cover of her book Grave of Light is a reproduction of a beautiful collage created by Notley.

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FLOWERS OF THE FOOTHILLS & MOUNTAIN VALLEYS

Compassion is pungent
& sharply aromatic. Small
yellow heads in late summer.
Love & hatred are
delicate & fragrant.
Around a yellow disc.
Glory is found along the shores
intoning “I change but in death.”
Sincerity has delicate &
feathery leaves. Dignity is
fragrant & looks like a little
brown nail. The leaves
of hidden worth are deeply cut;
a 19th-century American
artist & inventor. Sir
Thomas Campion blooms in July
pinkly with notched petals. The
clearest of gins taste of
bluish protection, lovely
Mary & little Jesus found
refuge, in Egypt, in gin.
Hid from sight in
the bark of the cinnamon tree
a light flashes on & off,
dazzles, whistles. Remembrance
is the most fragrant, love is
the most dark pink, courage
is grey-green growing wild.

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ALICE NOTLEY is the author of many collections of poems, including Songs and Stories of the Ghouls and Pulitzer Prize-finalist Mysteries of Small Houses. She is the recipient of the Griffin Poetry Prize, the Los Angeles Times Book Award for Poetry, the Shelley Memorial Award from the Poetry Society of America, an Academy Award from the American Academy of Arts and Letters, and the San Francisco Poetry Center Book Award.

#UPWeek: AAUP’s Third Annual Blog Tour continues

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It is University Press Week…a time to celebrate all the wonderful work published by scholarly presses! In the spirit of partnership that pervades the university press community, thirty-two presses will unite for the AAUP’s third annual blog tour. This tour will highlight the value of collaboration among the scholarly community. Individual presses will blog on a different theme each day. Today’s theme is “Your University Press in Pictures.” The following presses are participating. Click on the available links to enjoy a variety of content exploring the history of publishing, including historic images as well as a look at how the handling of images has changed with the introduction of new technologies. 

University Press of Florida 

Fordham University Press 

Indiana University Press 

Johns Hopkins University Press 

Stanford University Press 

Tomorrow’s theme will be University Presses in Popular Culture.

Gerald Vizenor to visit National WWI Museum

Tomorrow, November 12th, Gerald Vizenor will visit the National World War I Museum in Kansas City, Missouri.  As part of Park University’s Ethnic in Voices Poetry Series, in an interview segment that will air on KCUR’s New Letters on the Air, host Angela Elam will discuss Vizenor’s latest book of poetry, Favor of Crows, as well as Blue Ravens, his fact-based historical portrayal of Native American Soldiers in World War I.  

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Today, the service of Native Americans in WWII is quite well documented, thanks to the work of many Native community members, scholars, and historians. Service of Natives in WWI has not been as well documented.

In 1917, as the United States entered WWI, most Native Americans were not U.S. citizens. Some Natives were granted citizenship based on their military service. Others were offered citizenship with the passage of the Indian Citizenship Act of 1924. It was enacted, in part, to recognize the service of thousands of Indians in WWI. Citizenship had been offered to Oklahoma Natives in 1890 and 1901.

It is estimated that more than 12,000 American Indians served in World War I. More than 44,000 American Indians served during WWII. Military officials acknowledge that Native Americans have the highest record of service per capita of any ethnic group. Native Americans were sent into highly dangerous situations, such as sweeping for land mines, at a higher rate than their non-Native counterparts. Native Americans were not placed in segregated units, as African-American soldiers were. The U.S. Government hoped that integration would assist the process of assimilating Native Americans into the United States.

To learn more about Native American military service, visit the National Museum of the American Indian’s resource page, “Native Words, Native Warriors.” You can also view the PBS documentary The Way of the Warrior.

#UPWeek: AAUP’s Third Annual Blog Tour

UPWlores

It is University Press Week…a time to celebrate all the wonderful work published by scholarly presses! In the spirit of partnership that pervades the university press community, thirty-two presses will unite for the AAUP’s third annual blog tour. This tour will highlight the value of collaboration among the scholarly community. Individual presses will blog on a different theme each day. Today’s theme is “Collaboration.” The following presses are participating. Click on the available links to learn about some of the collaborative efforts initiated by our colleagues at other presses and institutions.

University of California Press

University of Chicago Press

University Press of Colorado

Duke University Press

University of Georgia Press

Project MUSE/Johns Hopkins University Press

McGill-Queen’s University Press

Texas A&M University Press

University of Virginia Press

Yale University Press

Tomorrow’s theme is “Your University Press in Pictures.” Wesleyan University Press is participating on Thursday, November 13th, as part of “Throwback Thursday.” Read more about AAUP, University Presses, and University Press Week here.

Happy Halloween, Happy Samhain & Happy Birthday, Annie Finch

Happy Halloween and Samhain (an ancient Gaelic festival marking the end of the harvest season)—and happy birthday to one of Wesleyan’s celebrated poets, Annie Finch. Finch was born on October 31st, 1956. She is a Wiccan, and her latest book is Spellspublished by Wesleyan on April 2, 2013. Spells, which brings Finch’s most striking old poems together with new and previously unpublished work, brings readers to “experience poetry not just in the mind, but in the body.”

 

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Her other books include poetry collections Eve (1997) and Calendars (2003), and the long poems The Encyclopedia of Scotland (1982) and Among the Goddesses: An Epic Libretto in Seven Dreams (2009), as well as several critical works. Her work has been published in journals including Yale Review, Harvard Review, Partisan Review, and Paris Review, and anthologized in collections like The Penguin Book of Twentieth-Century American Poetry and The Penguin Book of the Sonnet. She is the winner of the Sarasvati Award for Poetry and the Robert Fitzgerald Award, and is currently at work on a memoir, American Witch.

Finch has read and performed her work across the U.S. and in Canada, Europe, and Africa. She is a featured columnist for The Huffington Post, writing on poetry, feminism, and paganism. She teaches in the University of Southern Maine’s Stonecoast writing program, and as a visiting poet across the country. In the coming year she will head to Arizona to participate in the Tucson Festival of Books, as well as to teach a workshop at the University of Arizona Poetry Center.

Finch has also appeared on the airwaves in KRCB’s WordTemple, which showcases the most interesting work and stories in the world of literature. In November 2013, Finch appeared on the program with fellow Wesleyan author Kazim Ali to discuss their books, Spells and Sky Ward. In March 2014, Finch appeared alongside the influential feminist poet Carolyn Kizer, who passed away on October 9th. In April, an essay of Finch’s about her relationship with Kizer was read on-air. That essay, “Visiting Carolyn Kizer,” can also be found online at the Poetry Foundation.

 

In honor of Samhain, please enjoy two poems from Spells“Samhain” and “Spider Woman.”

Samhain

(October 31)

In the season leaves should love,
since it gives them leave to move
through the wind, towards the ground
they were watching while they hung,
legend says there is a seam
stitching darkness like a name.

Now when dying grasses veil
earth from the sky in one last pale
wave, as autumn dies to bring
winter back, and then the spring,
we who die ourselves can peel
back another kind of veil

that hangs among us like thick smoke.
Tonight at last I feel it shake.
I feel the nights stretching away
thousands long behind the days
till they reach the darkness where
all of me is ancestor.

I move my hand and feel a touch
move with me, and when I brush
my own mind across another,
I am with my mother’s mother.
Sure as footsteps in my waiting
self, I find her, and she brings

arms that carry answers for me,
intimate, a waiting bounty.
“Carry me.” She leaves this trail
through a shudder of the veil,
and leaves, like amber where she stays,
a gift for her perpetual gaze.

 

Spider Woman

Your thoughts in a web have covered the sky.
A thread from the northwest is carrying beads from the rain,
a thread from the southwest is carrying beads from the rain,
a thread from the southeast carries bright beads,
a thread from the northeast is bringing the beads
of the rain that has filled up the sky.
Spider, you have woven a chain
stretching with rain over the sky.