All Announcements

Gerald Vizenor continues his WWI saga with “Native Tributes”

Historical novel about Native American veterans who march in the post-WWI Bonus Army during the Great Depression

In Native Tributes, sequel to the critically acclaimed Blue Ravensauthor and scholar Gerald Vizenor tells the story of restless Native American veterans of WWI and their fight to reclaim their rights during the Great Depression.

In the summer of 1932 brothers  Basile and Aloysius Hudon Beaulieu travel from the White Earth Reservation, MN, to Washington, DC, to protest with the Bonus Army–a group comprised of thousands of military veterans demanding the bonus pay they’d been promised for WWI service.

General Douglas MacArthur brutally forces the veterans from the National Mall, and the Beaulieu brothers move to an encampment of needy veterans in “Hard Luck Town” on New York City’s East River. They meet other veterans who refuse to be defeated by the sorrow of the times.

In New York City, the brothers also visit the Biblo and Tanner Booksellers, a gallery owned by Alfred Stieglitz, the Modicut Puppet Theatre, and an exhibition at the Museum of Modern Art. Aloysius, the painter of Blue Ravens, finds inspiration in the Modernist work of Arthur Dove, Chaïm Soutine, Marc Chagall, and others.

Native Tributes is a journey of liberty that escapes the enticement of nostalgia and victimry, and reveals life in its barest form.

Gerald Vizenor is the author of more than thirty books of nonfiction, literary criticism, fiction, and poetry, such as Blue Ravens, Treaty Shirts, and Favor of Crows. He attended college on the GI Bill after serving in the United States Army for three years, mostly in Japan, and studied at New York University and the University of Minnesota. Vizenor is a citizen of the White Earth Nation.

Marking the 214th Anniversary of the Hamilton-Burr Duel

Weehawken, New Jersey, 11 July 1804

Two-hundred-fourteen years ago today, Alexander Hamilton was mortally wounded by Aaron Burr, in a wooden pistol duel that was the culmination of years of personal and political conflict. Hamilton succumbed to his wounds on July 12th. The incident helped to further legislation banning duels, and Burr was indicted for murder in the states of New York and New Jersey. Charges were dropped.

Incidentally, Alexander’s son, Philip Hamilton, was killed in a duel at age 19, in 1801, shot at the very same location where his father would also be fatally shot. Philip is pictured above, right.

First published in 1960, Wesleyan has reissued Interview in Weekhawken: The Burr-Hamilton Duel as Told in the Original Documents. The volume houses a closely annotated thread of documents, providing a riveting account of the lead-up to and aftermath of the disastrous duel. There is the fiery correspondence between Hamilton and Burr, notes and accounts from their seconds-in-command, and other documents that provide an immediate sense of the personalities and times. If the Broadway sensation Hamilton has left you wanting to learn more about this chapter in history, pick up a copy of Interview in Weehawken. It is a great resource for teachers of American history, and a perfect gift for a US history buff.

In the mean time, please enjoy these highlights from Drunk History‘s take on Alexander Hamilton, featuring Wesleyan’s own Lin-Manuel Miranda! Play Video.

Aubrey Plaza and Aliashawkat Hamilton, in "Drunk History"

Aubrey Plaza and Aliashawkat Hamilton, in “Drunk History”

 

Allison Adelle Hedge Coke’s preface to “Counter-Desecration”

Counter-Desecration: A Glossary for Writing Within the Anthropocene, edited by Linda Russo and the late Marthe Reed, is a work of collaborative eco-activism and a call to action for readers and writers.

 

Contributors (including Brenda Hillman, Eileen Tabios, Hoa Nguyen, Jennifer Scappettone, Cheryl Savageau, Rusty Morrison, Bhanu Kapil, Christopher Cokinos, etc.) call on humanity to end this era of environmental and spiritual destruction, beginning with this clear and provoking preface by Allison Adelle Hedge Coke.

This glossary delivers terminological impression of shifts in language and in consciousness fostered to address the perilous state of today. Continually fed now since Euro-invasion, intentional attempts at extinction/slaughter of the Western Hemisphere’s indigenous peoples (estimates say that 75 to more than 100 million people rapidly perished at the hands of the Euro-invader and his diseases) undoubtedly spurred the initial methane surge of the Anthropocene. This is, immediate and dire, an enduring era of environmental injustice, survivance under unequal protection from colonial, imperial resourcing, with political sabotage by collective lessening of efforts to combat climate change. Now, in the Sixth Extinction epoch segment, we strive to locate lingual succinctness in attending to the multitudinous expression with participatory means to discern and disseminate information necessary to better the state of the world for all peoples and all lives dependent on our shared planet. Moreover, we strive to employ as vernacular this nomenclature and vocabulary in idiolect of intentional lexicon while gathering activist effort for gross intervention, reclamation, renewal, revivance, and restoration, by whatever means necessary to keep this world inhabitable and whole beyond what damage has already diminished its complete viability.

In imagining a book that would clarify the new ways that we respond to the call our earth, her oceans, and the surrounding atmosphere surely sing, Counter-Desecration brings sustenance and power with terms made in collective remedying. From dysoptics to echolocution, reciproesis to terrotic, the countenance of communication encounters the need of a global population on its mettle. Torpor (the rest state required of an activist) and vivitocracy (a social mind-set built on the idea that all life deserves equally to exist) bring a sense that our collective strength and support of the planet might still replenish and recover her ability to continue, and thus we along with her, or at least give a sense of the hope for future life here. This book allows us fortitude and wisdom to secure what means we might to continue to cherish and to equip us to protect our planet with concise and meritorious language and action: a generous undertaking for which I am exceptionally grateful and believe indispensable for writers, speakers, readers, and researchers working for vital cause and solution.

Allison Adelle Hedge Coke

The Sentient Archive: Bodies, Performance, and Memory

The Sentient Archive summons a feast of diverse voices, giving each the space to speak without forcing them into a single chorus. Instead, the book works like a landscape where these voices and their shimmering echoes intersect, inviting us in to join the unfinished, disappearing dance of movement and memory, of the sentient body and its archival impulse, its fragile yet insistent resistance to the slippage of time. Collectively, these voices testify to the whispers and the wild feelings in our bones that can hardly be put into words, but bear our social flesh forward.” —Elizabeth A. Behnke, Study Project in Phenomenology of the Body

The Sentient Archive gathers 28 smart essays by scholars and practitioners in dance, performance, science, and the visual arts. These challenging essays cross boundaries within and between disciplines while exploring the ways the human body serves as a repository for knowledge.

Contributors include Tomie Hahn, Nancy Goldner, Marcia B. Siegel, Jenn Joy, Alain Platel, Catherine J. Stevens, Meg Stuart, André Lepecki, Ralph Lemon, and other notable performers, scholars, and artists.

Bill Bissell is the director of performance at The Pew Center for Arts & Heritage. Linda Caruso Haviland is an associate professor at Bryn Mawr College and the founder and director of its dance program.

Development of the content of The Sentient Archive was supported by The Pew Center for Arts & Heritage, Philadelphia.

The Pew Center for Arts & Heritage is a multidisciplinary grantmaker and hub for knowledge sharing, funded by The Pew Charitable Trusts, and dedicated to fostering a vibrant cultural community in Greater Philadelphia. The Center fulfills this mission by investing in ambitious, imaginative arts and heritage projects that showcase the region’s cultural vitality and enhance public life, and by engaging in an exchange of ideas concerning artistic and interpretive practice with a broad network of cultural leaders. For more information, visit www.pcah.us.

 

Heading Outdoors in Connecticut Summer

The flowers are blossoming, grass growing greener by the day, and sunrise is before 5:30am; it’s summer in Connecticut and at Wesleyan University Press, we’re celebrating with some of our favorite outdoors books and field guides.

 

Why not kick of your summer with an excursion on foot—whether it be a leisurely stroll or vigorous hike? The newly redesigned 20th edition of The Connecticut Walk Book by Connecticut Forest and Park Association (CFPA) is now available to inspire and guide you through your summer jaunts.

Every summer, CFPA offers local hikes and other events. Most are free. Here are this season’s events:

June 2-3, 2018 (All Day): CT Trails Day – LARGEST National Trails Day in the nation; Celebration of 50th anniversary of the National Trail System, follow on Twitter with #CTTrailsDay FREE

June 3, 2018 (9:00am): 2017 Goodwin Forest Trail Run 10k/30k, $20-33 registration fee

June 12, 2018 (10:00am-12:30pm): June Senior Walk at CFPA, FREE

June 13 & 14, 2018 (10:00am-12:30pm & 12:00pm-2:30pm): Senior Walks at Hampton, FREE

July 10, 2018 (10:00am-12:00pm): July Senior Walk at CFPA, FREE

August 14, 2018 (10:00am-12:00pm): August Senior Walk at CFPA, FREE

September 11, 2018 (10:00am-12:00pm): September Senior Walk at CFPA, FREE

 

With its release coinciding with National Geographic’s #YearOfTheBird,  look to the skies for Birding in Connecticut, by Frank Gallo, will help those of you looking to the skies to capture

Some local birding and #YearoftheBird events to watch out for:

June 3, 2018 (9am-1pm): First Sunday Bird Walk at Greenwich Point Park (Every first Sunday) FREE

June 3, 2018 (10am-11:30am): Connecticut Bird Atlas – Training Workshop, Audubon Center, Southbury, CT, FREE

June 5, 2018 (7:30pm-9pm): “Saving Seabirds” at National Geographic Campus, Gilbert H. Grosvenor Auditorium, 1600 M St NW, Washington, D.C. 20036, $25 admission

June 9-10, 2018: Summer Bird Count; various locations (Hartford, New Haven, Greenwich); Every weekend of June, FREE

June 30, 2018 (11am-1pm): Audubon Greenwich – LGBT – Let’s Go Birding Together!, Pride Month birding event, $5 Audubon members, $8 non-members

August 25, 2018 (7:30pm-9pm): Creatures of the Night… Hike! at the New Canaan Nature Center, FREE

 

Following the flow of the river, and the trout, fishermen and would-be fishermen might consider picking up a copy of Fly Fishing in Connecticut: A Beginner’s Guide by Kevin Murphy.

Why not brush up on your fishing skills at one of these fun events?

May 26-June 15, 2018: 2018 CT Fishing Tournament/Derby; various locations

June 2, 2018 (5am-3:30pm): Bass-A-Palooza, Norwalk, CT (registration for fishers has passed)

June 16, 2018 (12pm-4:30pm): Hooks for Heroes Fishing Tournament, Stamford, CT, $35 admission (registration for fishers has passed)

July 15-24, 2018: Three Belles Outfitters Trifecta Challenge Kayak Tournament, Niantic, CT, $100 registration

August 4-5 & 11-12, 2018: The Federal Bass Federation of Connecticut (CT-TBF) 2-Day Events

 

 

After hiking the trails, fishing, or birdwatching, one can delve into Connecticut’s multitude of small towns and rural structures in Hidden In Plain Sight: A Deep Traveler Explores Connecticut by Hartford Courant essayist, David K. Leff and look to the night sky with Under the Dark Sky: Life int he Thames River Basin by Steven G. Smith.

 

American Music Documentary: Five Case Studies

“A call for a ‘ciné-ethnomusicology,’ American Music Documentary is as much an invitation for a critical, reflexive ethno-musicology. Forging new ground in the study—and making—of music films, it is an utterly compelling read.”
–Marina Peterson, author of Sound, Space, and the City: Civic Performance in Downtown Los Angeles

In American Music Documentary, Benjamin J. Harbert looks at five significant music documentary films. His aim “is to argue that filmmaking can be a process of understanding music and that a film can be a way of expressing that understanding.” The documentaries discussed cover a wide swath of 20th century popular music, including:

  • Gimme Shelter
  • Antonia: A Portrait of the Woman
  • Ornette: Made in America
  • Depeche Mode: 101
  • Instrument

Harbert’s work lays the foundations of “ciné-ethnomusicology,” considering how visual imaginings of the artist and his/her concepts can alter, add to, or amplify the experience and understanding of the audience. Depictions of race, masculinity, and feminism are discussed in detail, exploring how filmmakers use their art to tease out and expand on some of the attitudes embedded within the work of popular musicians, and how these attitudes, or politics, are lived out on stage and in the daily lives of musicians living in the public eye.

View trailers and film footage here. 

Benjamin J. Harbert is an associate professor of music and film and media studies at Georgetown University. He is the producer and director of Follow Me Down: Portraits of Louisiana Prison Musicians and coeditor of The Arab Avant-Garde: Music, Politics, Modernity.

Keeping up with Samuel Delany, finalist for a Locus Award & honored by CHOICE

Samuel Delany’s In Search of Silence,The Journals of Samuel R. Delany, 1957–1969 was recently honored by Choice as a 2017 Outstanding Academic Titles

Choice presents this title to award “outstanding works for their excellence in presentation and scholarship, the significance of their contribution to the field, their originality and value as an essential treatment of their subject, and significance in building undergraduate collections.”

In Search of Silence was also selected as a finalist for the 2018 Locus Award for Non-Fiction. Winners will be announced during the Locus Awards Weekend in Seattle, WA June 22-24, 2018 according to Locus Magazine.

For more by Samuel Delany, check out his newest title, The Atheist in the Attic in the Outspoken Authors series from PM Press. The book is a “suspenseful and vivid historical narrative, recreating the top-secret meeting between the mathematical genius Leibniz and the philosopher Spinoza caught between the horrors of the cannibalistic Dutch Rampjaar and the brilliant ‘big bang’ of the Enlightenment.” (from publisher) You will also find more Delany coming from Wesleyan in the Spring of 2019, a collection of never before published letters from between 1988–1991: Letters from Amherst. The book will collect five letters written to close friends, covering such topics as the San Francisco arts community, writing practices and story development, and his family history.

Wesleyan UP acquires Paris Press

Bookshelf

View a list of Paris Press books now available through Wesleyan. 

Paris Press and Wesleyan University Press are pleased to announce Wesleyan’s acquisition of Paris Press. As of May 1, all Paris Press books will be available through Wesleyan University Press and its distributor, University Press of New England. “For years, readers have delighted in the books published by Paris Press. What an opportunity, to bring on board books by such luminaries as Virginia Woolf, Emily Dickinson, Bryher, and Muriel Rukeyser,” says Wesleyan University Press director Suzanna Tamminen. “Now these books and those of so many other extraordinary women writers will have a long and vital life with Wesleyan University Press. We look forward to working with each of these beautiful, courageous, and daring books and to ensuring that they continue to inspire readers.”

Jan Freeman, founding director of Paris Press, comments, “I am thrilled and deeply honored that Paris Press authors and books will be part of Wesleyan University Press, a press with a great literary history, a press that I have admired for decades. This is a dream come true. Director Suzanna Tamminen will provide a welcoming home for the Paris Press list, which will forever reflect what is essential in literature. It has been a privilege to usher each Paris Press book into the world. I hope that Wesleyan will bring new audiences to these groundbreaking books and that the Paris Press family of readers, educators, and writers will continue to enthusiastically support the Paris Press at its new home.”

Paris Press (1995–2018) was founded with the mission of publishing groundbreaking yet overlooked literature by women and educating the public about its books and authors. Its titles encompass many genres including essays, poetry, fiction, memoir, letters, drama, and creative nonfiction. Their common attribute is their daring—in style and in the courage to speak truthfully about society, culture, history, and the heart. Paris Press authors include Muriel Rukeyser, Virginia Woolf, Emily Dickinson, Bryher, Ruth Stone, Zdena Berger, and Elizabeth Cady Stanton.

Wesleyan University Press, based at Wesleyan University in Middletown, Connecticut, was established in 1957 and focuses on poetry, literature, music, and dance. The press’s internationally renowned poetry series has the distinction of having earned five Pulitzer Prizes, two Griffin Awards, and two National Book Awards. The press’s list reflects the university’s commitment to boldness, rigor, and practical idealism.

Contact: Stephanie Prieto, Publicist, Wesleyan University Press  selliott@wesleyan.edu phone: 860.685.7723

Jan Freeman, Founding Director, Paris Press   jbf227@gmail.com  phone: 413.374.1799

Poetry @ LA Times Festival & Split This Rock

Wesleyan University Press is pleased to have authors participating in events at both Split This Rock Poetry Festival and the Los Angeles Times Festival of Books.

Camille T. Dungy and Kazim Ali are among the featured readers at Split This Rock, April 19–21

From the festival organizers:

Not only does poetry equip us to speak out against oppression but it helps to sustain us in these extremely perilous times. It reminds us of what it means to be fully human, holds the vision of what is possible, creates community, keeps alive what we value: compassion, justice, love. Poetry helps us find our voice when we feel powerless. It helps us be our best selves, so we can continue the long-term activism our current climate demands.

As we selected sessions for the 2018 festival, we were particularly interested in sessions designed to help us combat despair (or ride through it), learn from one another across generations, celebrate cultures targeted by hate, figure out what it means to live in this time, and equip us all as creative and effective citizens and activists.
Continue Reading Here….

Thursday, April 19 | 7-8:30 PM
Camille T. Dungy, Sharon Olds, Javier Zamora

Saturday, April 21 | 4:15-5:45 PM
Kazim Ali, Ellen Bass, Terisa Siagatonu

In addition, Los Angeles Times Book Prize finalists Evie Shockley and Shane McCrae
will participate in this year’s Los Angeles Times Festival of Books, April 21–22

Shane McCrae

Saturday, April 21 • 11:20am—11:40am
Shane McCrae reading from “In the Language of my Captor”
More info here…

Saturday, April 21 • 2:00pm–3:00pm
Poetry: Trauma and the Problem of Beauty, Conversation 1043
Moderated by David Baker
Speakers include Alessandra Lynch, Shane McCrae, Carol Muske-Dukes, and Patricia Smith
More info here…

Evie Shockley

Saturday, April 21 • 11:00am–12:00pm
Poetry: Self, Cultural Narratives, and Form, Conversation 1041
Moderated by Cyrus Cassells
Speakers include Mary Jo Bang, Christopher Merrill, Evie Shockley, David St. John
More info here…

Saturday, April 21 • 2:40pm–3:00pm
Evie Shockley reading from “semiautomatic”
More info here…

 

 

 

 

 

Wesleyan UP at AWP! Booth 616

Join us for a Wesleyan University Press Reading

Sarah Blake, Brenda Hillman, Evie Shockley, Kerri Webster, and Kazim Ali

Thursday, March 8, 2018
3:00pm – 4:15pm
Room 18 & 19, Tampa Convention Center, First Floor
Event Number R255

Politically aware poets read from their latest work, reacting to our political climate and reflecting on our place, as individuals, in an unsettled world. Exploring the anxieties and isolation of our troubled times—these voices ponder how we can care for ourselves and each other. How do we break free from a seemingly endless, soul-numbing cycle of emotions, moving through outrage, mourning, and despair, again and again?

Evie Shockley & Sarah Blake & Kazim Ali will be signing books at our booth (616) immediately following this reading. 

Meet the poets and have your books signed!
Signings at booth # 616

Evie Shockley & Sarah Blake & Kazim Ali
Thursday from 4:30pm to 5:00pm

Kerri Webster
Friday from 1:00pm to 2:00pm

Brenda Hillman & Camille Dungy
Friday from 3:00pm to 4:00pm

Sarah Blake is the author of Mr. West and Let’s Not Live on Earth. An illustrated workbook accompanies her chapbook, Named After Death. She was awarded a Literature Fellowship from the National Endowment for the Arts in 2013. She is co-founder of Submittrs and The Philadelphia Poetry Collaboration.

Evie Shockley is author of the new black and semiautomatic (and other poetry books), as well as Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry (criticism). She is creative writing editor for Feminist Studies and Associate Professor of English at Rutgers University.

Kazim Ali is a poet, translator, essayist and fiction writer. His books include Inquisition, Sky Ward, Bright Felon and Orange Alert: Essays on Poetry, Art and the Architecture of Silence. He is associate professor of creative writing and comparative literature at Oberlin College.

Brenda Hillman is the author of 10 collections of poetry, including Practical Water, Seasonal Works with Letters on Fire, & most recently, Extra Hidden Life, among the Days. She co-translated At Your Feet by Ana Cristina Cesar. Hillman is the Filippi Professor of Poetry at St. Mary’s College of California.

Kerri Webster teaches at Boise State University. She is the author of The Trailhead (Wesleyan University Press, 2018), Grand & Arsenal (University of Iowa, 2012), and We Do Not Eat Our Hearts Alone (University of Georgia, 2005).